Musings of an Indian liberal
Tuesday, April 22, 2025
Tuesday, April 1, 2025
VEERA DHEERA SOORAN REVIEW: VIKRAM’S STRING OF BAD CHOICES COMES TO AN END?
There was never any doubt
about Vikram's powerhouse acting talent. But in recent years, I have not
watched any of his movies except for Mahaan because his ability to select the
right director and script was not up to the mark. I, along with many others, thought
his potential to become a superstar was wasted. But if there is one director
who has shown top-notch quality and talent in most of his movies, it is SU Arun
Kumar. Whether it is Pannayarum Padminiyum, Sethupathy or Chittha, they were
well appreciated by both audiences and critics. As if this wasn't enough, my
expectations increased ten times when they released a banger of teaser. Did the
movie meet my expectations?
Let's find out
The Characters
The movie has many
strengths, but the most visible strength is character development. All the
characters in the film are clearly defined. We can sense each character's
motivations and personality while watching the movie; everything is subtly
conveyed through the flashback scenes and reaction shots. For example, there is
a scene in the flashback portion where Vikram and Dushara are having sex just
before their marriage in the bedroom on the top floor of their mandap and right
after; they play with each other while Vikram hangs outside the window on his
way back to his room. It shows that both characters are strong and independent
and that they focus on the fearless nature of Vikram's character. Even the
Villain characters of SJ Suryah and Suraj Venjarammoodu are not one-note and
have strong reasons for their actions.
The Plot
Watching this movie had
the same effect as watching a Misskyn or a Vetrimaran film, where a relatively
minor incident snowballs and affects the lives of everyone involved. The film
begins with a woman and her child entering a rich house, searching for her
husband, and blaming the men there. How this incident, along with the selfish
motivations of each character, affects everyone involved forms the crux of the
story. The joy of watching such a movie comes from the connection you get due
to the detailed writing.
The Action
This is not one of those
masala movies where the hero hits and ten goons fly in all directions. The
fight scenes are like those in Korean movies: brutal and raw. Both parties get
hurt violently. Even though Vikram's character never stops fighting however
much he gets hurt, you are able to buy into the scenes because his character is
already defined subtly as strong and fearless.
The dialogues
Don't go into this movie
expecting filmy punch dialogues. All characters speak and behave as if they are
living in a rustic Tamil village. Most of the dialogues flow in the correct
pitch and accent. This is especially evident in the scenes where Vikram converses
with the customers of his shop and his family. The only jarring effect occurred
when listening to Suraj Venjarammoodu's dialogues, which had a tinge of Mallu
accent. But overall, it gave me a realistic feeling.
The Art Direction,
Cinematography and Background Score
As I mentioned, every
aspect of the movie gave me a lived-in rustic feel of a Tamil village. The
scenes of Vikram's shop cum house are a prime example of this. Kudos to the
cinematographer, Theni Easwar and the art director for such a delicate and
detailed work. I've always felt that GV Prakash is an underrated music
director. Even though he produces bangers with his music time and time again,
he has never been considered part of the big league like Anirudh or Thaman. His
background score, especially the one in the action scenes, is still ringing in
my ears.
The pacing
I was hooked into the
movie, sitting on the edge of the seat for the most part. I kept wondering what
Vikram's character would do next to escape the conundrum he got himself into.
But the film does slow down in the flashback portions, which pulled me out of
the narrative a bit. Overall, the movie was correctly paced and suspenseful.
If you are a fan of
well-written, detailed, suspenseful thrillers with loads of edge-of-seat
action, stop waiting and book your tickets for the next show.
Tuesday, December 31, 2024
Working With Jinta's Rocked My 2024!
HAPPY NEW YEAR FOLKS! (And to those who did, thanks for through my rant!) PS: Did not check for mistakes with grammarly or ai. So pardon my mistakes.
Friday, November 1, 2024
Meiyyazhagan review - A deeply moving character driven drama
Imagine a scenario where you are living in the city, away from your native place like the millions of Indians in the metro cities. You are attached to and have fond memories and attachments to your childhood home. What if you had to sell it out of necessity? The very fact that you had to leave was a very traumatic experience for you. You might be afraid of going back because you don’t want to reexperience those traumatic memories.
This is the internal conflict that Arulmozhi Varman (Arvind Swami’s Character) is facing in the movie. If you remember the director Premkumar’s 96, it was also a character driven drama with not much importance to the plot. It flows through the memories, conflicts and growth of the characters. Meiyyazhagan is similar in that vein. The main 2 characters, Arulmozhi Varman and Meiyyazhagan is extremely well fleshed out. The journey through their backstories, their conflicts, relationships and growth is shown with so much care that I found myself teary-eyed at multiple points in the movie. The dilemma one feels when another person knows you and you don’t remember them when you go back to your native place can sometimes become extremely awkward especially if you care about not hurting the feelings of the other person. The visual detailing of these conflicts makes this movie extremely relatable and emotionally impactful.
Premkumar also does not shy away from weaving in his political perspectives through Meiyyazhagan’s character. The conversations between the two characters include the need for protecting one’s culture and history. The point about avoidance of south Indian history in Indian school textbooks deeply resonated with me. Meiyyazhagan’s backstory also shows how political decisions affect the common man. I didn’t find the political subplots distracting as it moves smoothly through the conversations and backstories of characters. These conversations also deepen the bond between the characters which justifies the conflict faced by Arulmozhi Varman.
Now this is not a movie for lovers of fast paced action movies. The deliberate slow paced narrative can be off-putting for those audiences. I didn’t find the movie too slow as I had already prepared myself to watch a deeply moving character driven drama. I recommend doing that yourself so that you have a highly rewarding experience.
Sunday, April 5, 2015
Terrorism Simplified
Terrorism Simplified
- Taliban & Al Qaeda backed forces Vs Pak Army backed by US in Pakistan (164 children killed in a school in Pakistan a few months was an ARMY school)
- Isreali Jews Vs Palestinian Muslims (1 sided affair, I know)
- Shia Muslims backed by Iran Vs Sunni Muslims backed by Saudi Arabia in Yemen
- ISIS (Sunni Muslim extremists) Vs Shia Muslims (and also other religious groups) in Iraq
- ISIS vs Shia Muslims (president Bashar Al Assad is a Shia Muslim) in Syria
- Muslim extremists Vs other religions in Africa
- Pakistan backed Sunni extremist Muslims Vs India (majority of 15 crore Muslims in India do NOT have extremist views and have no intention of supporting or going to that hell hole created by Americans and Pak army)
- Shia Muslims vs Sunni Muslims in Pakistan
- Sunni muslim extremists Vs US and Allies (This seems like more of a cultural warfare due to the fact that western culture is more liberal as against conservative culture of Muslims especially the extremist)
The Players
- Sunni Muslim extremists Vs Shia Muslims
- Sunni Muslim extremists Vs western liberal culture (US and Allies)
- Sunni Muslims Vs Jews (Palestinians are not extremists at least not in my view).
- Sunni Muslim Extremists Vs other religions
Factors behind Extremism
There are 2 factors which propagate Muslim religious extremism in the world. They are:
The Americans educated (more like brainwashed) poverty stricken Muslims in various parts of the world into believing a radical extremist form of Islam so as to use them against the Soviet Union (as communists were atheists) during the Cold War. As the Soviet Union disintegrated and became a non threat, these extremist Muslims trained their guns against their masters, the Americans. This is due to the fact that the western culture is mostly liberal and Muslim extremism is extremely conservative. The Muslim extremist viewed this as threat to their lifestyle and existence.
Final word: Let Humanity be your community and let love and peace be your belief.
Wednesday, March 18, 2015
NH 10 review: A movie that should be made and seen
Throughout this edge of the seat thriller where the couple is terrorized by the gang, the director tries bring out the stark contrast between urban and rural India and its attitude towards women. The entire movie has a sense of doom to it as if you are watching a horror movie except the situations are realistic and so are the characters. it has all the elements of slasher-thriller to it a la films like eden lake, Hills have eyes etc. But what makes this one different is that the director has deftly embedded into its soul, critiques on rural India's misogynistic attitude towards women.
Though adeptly scripted and directed, this film has its share of flaws. After giving us a sense that this film is realistic, the director does expect us suspend our disbelief. For example people will run only through roads in which trucks can pass through so that they can conveniently get injured or killed. But for the most part the makers of NH10 have given us an immersive and thrilling experience with its usual twists and turns. The only time you flinch are at the time of those horrific scenes where the women are slapped, hit and bludgeoned with an iron rod. This film is not for the faint hearted, mind you. If you are looking for a nice romantic outing with your spouse, look for something else
NH10 is, on the whole, a must watch for those who want to experience the environment where people like Mukesh Singh are born. Kudos to Navdeep Singh for his brilliant attempt at bringing those routine newspaper articles to life while at the same time never letting you become bored with any cliched "heropanti" or "dialoguebaazi". Acting is top notch from Anushka Sharma and rest of the cast even though a good actor like Niel Bhoopalam is wasted in a badly written role. Apart from the fact that this film will negatively impact Haryana tourism (Nobody will venture into rural haryana for a while after watching this film, trust me), this is a film that should be made and seen in spite of the fact that it may not run in packed houses collecting "100 crores"